Some words of wisdom from Jazz Shaw re KO

March 31, 2012

Over at PJ Media, Jazz Shaw writes in regard to Keith Olbermann’s parting of the ways with Current TV:

This is simply textbook if you’re looking for the signs. He sets the tone of being the mature adult in a playground scuffle which is far beneath him. He’s going to “apologize.” But the nature of the apology quickly becomes apparent as he jabs his poison pen into the jugular of everyone who sought to work with him on his new endeavor. The only thing he’s truly sorry for, in the end, is his failure to recognize what a bunch of incompetent losers he was jumping into bed with.

This business between Olbermann and Current TV doesn’t have any real winners or losers. I actually get Current TV, probably in the same tier of programming that allowed me to watch part of every Maine University football game this year. I’ve watched Current TV a couple times, but I never watched Olbermann’s show. It’s not because I don’t like Olbermann (I don’t) and it’s not because I hate Al Gore (I do).

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Bristol Palin’s new site…

March 19, 2012

Bristol Palin has a new blog, and she starts it off with a bang:

But here’s why I’m a little surprised my phone hasn’t rung.  Your $1,000,000 donor Bill Maher has said reprehensible things about my family.  He’s made fun of my brother because of his Down’s Syndrome. He’s said I was “f—-d so hard a baby fell out.”  (In a classy move, he did this while his producers put up the cover of my book, which tells about the forgiveness and redemption I’ve found in God after my past – very public — mistakes.)

If Maher talked about Malia and Sasha that way, you’d return his dirty money and the Secret Service would probably have to restrain you.  After all, I’ve always felt you understood my plight more than most because your mom was a teenager.  That’s why you stood up for me when you were campaigning against Sen. McCain and my mom — you said vicious attacks on me should be off limits.

via Mr. President, When Should I Expect Your Call? | Bristol Palin.


Legal Insurrection opines about the mythical social media dance floor

February 26, 2012

William Jaconbson writes:

There is no social media dance floor.  It’s more like a bunch of isolated dance floors which have their own character and audience.

via » There is no social media dance floor – Le·gal In·sur·rec·tion.

Jacobson is commenting on a WaPo piece by Melissa Bell which “examines” the gender dynamics of various social networking sites like … every single one you think of when you hear the term “social networking.” Bell’s thesis, that women are taking over social networking, may or may not be true – what is true is that these vehicles, every last one of them, are designed by men in order to get users to share as much about themselves as humanly possible. As the saying goes, if the service is free and you are providing information to make the service more attractive, you are not a customer.

It used to be called target-marketing, and it works.

The only thing that could be described as a social networking tool I use is Twitter, and of my currently whopping 21 followers, I know exactly two of them. I follow a couple of people I know, but I mainly follow people whose work or art is of interest to me.

Again: “Twitter has taught me to love people I don’t know, and Facebook taught me to hate people I’ve known my entire life.” Trudat.

A girlfriend of mine who is quite successful in advertising spent an afternoon with me explaining to me some different ways I could use social networks to market Free Love for Saleand this was free advice that would’ve cost me a fortune if we weren’t friends. I took a little of her advice and didn’t follow the rest, not because it wasn’t good, but because I’m just not ambitious enough to dive into social networks on more than a lurk more/post less mentality – basically, z’GOC is where I post, and everywhere else I go I lurk, only occasionally commenting (the only place I’m even a moderately regular commenter is Big Hollywood, and I might comment three or four times a month there).

I hosted Xtina and Brella for dinner the other night, the former being one who is a number cruncher, the latter of whom works in media. They were talking about Pinterest, which I assumed had something to do with Lent/Easter/Catholicism, but it turns out its a social networking site dominated by women where they … talk … and post … and share … about … womynz … stuff … and things.

I was so curious about this I have yet to visit Pinterest, even though it’s referenced in the WaPo link above as well.

As a means of expression, I’ve always looked at social networks as a  sword that only cuts the user – beyond having an outlet to say or share, there’s really very little good that comes from the way most people use it. I’ve told Xtina on numerous occasions that I’m happy as a clam Facebook wasn’t around when I was in high school or college, because I said more regrettable things in a typical day than most people do in a month, and I used to be a throw-caution-to-the-wind kind of guy. I’ve been off Facebook since August, and it’s not something I miss.

Jacobson is correct that there’s not a theoretical dance floor in social media – there are many of them. Although I find little of value offered by most women bloggers and writers on a number of topics, my favorite blog is written by a woman. So long as women and men interact online in a social media atmosphere, women will be judged first by whatever kinds of pictures they share, and second how much they embody the stereotypes about women sharing on the Internet – lurk more is a concept few women I’ve seen understand, and even fewer would abide by if they understood what it means or why it’s a good rule to follow.

What I do know is that Facebook in particular reinforces a number of bad habits in Beta males, or foists those bad habits upon men who are otherwise, what, lower Alphas perhaps (I was certainly guilty of this when I was on Facebook, especially for the first year I used it). My standing rule about social networks – which are feminine by design in their ease-of-overshare – is that for men, if you’re not sharing pictures of your family or using it specifically to enhance your career/business or what have you, you’re not using it correctly.

However, I’m not exactly Johnny Consultant on how to use social networking effectively, so there’s that. That women dominate it or don’t dominate it is of little interest to me – other than being a diversion and a catalog of poor choices, dominating something so meaningless isn’t exactly something to crow about.

 


Meanwhile, over at The Lost Art of Self-Preservation (for Women)…

February 14, 2012

Grerp on having children:

I’ve touched on this before, but the fact is that there is a limited window to a woman’s fertility.  I know that the media says that singleness is great and that not all women want to be mothers, and I’ve heard a number of people say that they love having all their time to themselves and they can travel all they want and wallow in their Netflix queue and sleep in on Saturday mornings.  This may be true, but there are also quite a lot of women my age trying to squeeze out a baby at the last moment, desperate to be mothers before it’s too late.

via The Lost Art of Self-Preservation (for Women): Piece of Advice #101: Pencil “Have kids” into your life schedule.


…and your 256,997th most popular book at the Amazon Kindle Store is…

February 13, 2012

Free Love for Sale!

Your first question was surely, “There’s actually 257,000 books available at the Kindle store?” I suspect I’m near the bottom, but having written a novel that doesn’t fit neatly into any one category and, having no name recognition or inherent marketing skills, I don’t complain.

However, the book – which took 14 years to complete – only costs $.99, so you’l have to be a dickhead to visit this site more than once or twice and not buy a copy – seriously. I’ve never asked for donations before, I don’t push Amazon affiliate stuff, and I hate the idea of blogs with tip jars. So, with that said, buy a copy of the book, squirrel it away on your smart phone, and read it in the shitter when watching paint dry ain’t doing the trick. Most of the chapters take about as long to read as a morning deuce, so there’s that.

Here’s the jacket copy and thank you in advance for buying a copy of FLFS:

Set during the Spring 1997 semester at Foster College, Free Love for Sale follows housemates Tate, Gwen, Jicky and Sevie as they navigate the cultural minefield of late 20th century college life. Foster College is a place where Mom’s Weekend is a hyper-sexual bacchanal, rape is a political issue and college students take their cues from the adults around them during the last great American economic boom time. The quartet’s house serves as the college’s hallucinogenic circus, an over-sized dilapidated structure through which most Foster College students and north Texas pleasure seekers tend to enter and disappear. Free Love for Sale exists as a time capsule of college life at the end of the 20th century, a how-to guide and cautionary tale regarding the unbridled, relentless pursuit of hedonism among the youngest members of Generation X as they complete their formal schooling, a celebration of consumption and a warning about the dangers of nihilism that often follow in its wake.

 


ZOMG!!!1! Thousands and thousands of old words about Taylor Swift, as penned by a previous drunk King B

December 2, 2011

[Before starting z'GOC, I was the sole contributor to a virtually unread Internet site that ran for nearly a decade. Although I'll not revisit what was spectacular about the site (my rum-fueled graphomania that resulted in nearly 60,000 words being composed about the 2008 summer games; 40,000 words about the 2010 FIFA World Cup with another 30,000 or so about the 2006 Cup; at least 100,000 words composed about the political career of Sarah Palin; another 100,000 words or so about my absolutist political philosophy; et al) or what was horrible about the site (see also: what was spectacular about the site) I occasionally dip into its archives if there is something relevant or worth sharing. The following are two pieces I wrote about Taylor Swift, the first an overview of the album "Fearless," and the second an observation about country music stars who cry in their music videos. Enjoy, don't enjoy, whatevah - 'it was all a dream, used to read WordUp magazine...' et al etc... /brex]

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OC Theatre Redux: High Tea with a Culture Vulture – Politics and V for Vendetta

October 1, 2011

This one’s a fun entry into this series, itself a reprint of an almost-published collection of essays I wrote several years ago – this piece dates to early 2005 if memory serves. V for Vendetta is probably my favorite film from this time period, certainly the one I’ve seen the most. I watch it several times a year, and from a viewing perspective, the film’s use of lyrical language is what keeps me coming back. I stand by most of what I wrote here, although I annotate a couple areas that bear clarification. Particularly curious to me is the use of the Guy Fawkes mask as the symbol for Anonymous, and the enduring fascination with the film and the historical figure himself among libertarian and libertine Internet groups. Having watched the film so many times, I can say the mask not moving no longer bothers me, nor does Hugo Weaving’s voice remind me of The Matrix. Earlier this year I re-watched The Matrix trilogy, as well as The Animatrix, and found a weird congruence between the worldviews of both vehicles. Whatever – enjoy this essay. /brex

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OC Redux Theatre: Culture Vulture on ‘Dublin Blues’ and the Urban Virus

September 21, 2011

[This continues the essays contained in my collection High Tea with a Culture Vulture ... This long, long piece regards some scattered thoughts on music. I was telling a friend of mine it's clear which of this stuff was written after my second release from the hospital - much of this, good or not, is like a time capsule of what my one prolonged bout of mania looked like on paper. You can read other entries by clicking on the "Culture Vulture" category to your right. Funtymz .../brex]

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OC Theatre Reduce: Culture Vulture – ‘My So-Called Vampire Slayer’

September 21, 2011

[ED. Note: This continues the publication of essay from my unpublished collection, High Tea with a Culture Vulture. The only edits I've made are noted via strikethrough, so you can see how poorly certain things have aged and/or made me cringe, a half-decade later. I added a Culture Vulture category on the right if you want to read other entries. Enjoy! /brex]

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